Blackmagic Design has announced DaVinci Resolve 17, the latest major release of its flagship video and audio editing software. DaVinci Resolve is ‘the world’s only solution that combines editing, color correction, visual effects, motion graphics and audio post-production all in one software tool.’

DaVinci Resolve 17‘s primary new features include HDR grading tools, redesigned primary color controls, an AI-based magic mask, a next-generation Fairlight audio engine and much more. Blackmagic states that in total there are over 100 new features and 200 improvements to existing features.
The new HDR grading feature is accessible within the software’s color page. Users can create new color wheels with ‘custom roll-off for specific tonal ranges,’ resulting in additional creative control when making fine adjustments. The new wheels include control over exposure and saturation within each zone and are color space aware, allowing for uniform results.
Additional improvements to colorwork include mesh-based warping tools. You can adjust hue and saturation or chroma and luma. Adjustments are performed by dragging control points and Blackmagic Design promises ‘clean, natural-looking adjustments.’ Primary color controls have also been redesigned in the software. With respect to color space, DaVinci wide gamut and DaVinci intermediate are new timeline color space and gamma settings which deliver a universal working color space. Blackmagic states that ‘it’s larger than what cameras can capture’ and that ‘customers will never lose image data, no matter where it comes from.’

A new transient analysis tool has been added. This tool automatically detects individual words, beats or sound effects. Transient markers are displayed in the waveform as vertical lines and can be navigated by users via the arrow keys. Blackmagic states that these markers make it easier to identify specific parts of a sound when editing audio. You can also now see larger audio waveforms while trimming.

The DaVinci Neural Engine allows for automatic mask creation for an entire person or for specific features such as a face or arms. Further, ‘customers get matte finesse tools, the ability to add and remove strokes and automatic tracking.’ When editing in 16:9 HD or Ultra HD, you can now quickly create square or vertical versions for publishing to platforms such as Instagram. The Neural Engine helps here as well by automatically identifying faces and repositioning them inside the new frame, thus saving time.
Additional time-saving features include the new multi-column view for viewing effects, transitions and titles. The new workspace includes description icons, plus you can cover the cursor over an item to see a live preview in the viewer. The edit page includes ‘dozens’ of time-saving new features as well. These include the ability to manage independent proxy media, more easily synchronize multicam clips, create a sync map, generate render files for any portion of the timeline, make source side adjustments and much more.
Doubling back to multi-user collaboration, this feature is now included in the free version of DaVinci Resolve 17. This means that multiple free users can collaborate on the same project, across multiple devices, simultaneously. Of course, the free version doesn’t include all new features, but it includes a lot. A quick note that it appears that a much-requested feature, ProRes RAW support, doesn’t appear to be coming in DaVinci Resolve 17.
